Bob Crum

In the previous column, I discussed awareness which helps to develop a photographer's eye. Based on the questions I received on the subject, my explanation was insufficient. I understand! However, it's a challenge to present such concepts while constrained to 600 words.

OK, let's explore this further. You arrive upon a stunning scene. Don't immediately take a snapshot. Stop and engage the scene with mindfulness in the present moment. Camera settings and techniques aside for a moment, indulge the full experience of SEEING the grandeur. Rid the mind of frivolous thoughts. This frees your mind to SEE the scene. As you imbibe in SEEING, not just looking, you'll visualize a photo composition. Awareness enables a photographer's 'eye' to SEE a compelling image before even touching the camera. Soon you'll notice that your photography begins to evolve intuitively. At the opportune moment, make your photo. Afterward, don't quickly take your leave. Look around. Many times, totally unexpected, you'll SEE other stupendous photo ops. Stay aware! Got it?

For example, a recent trip to photograph the Kern River. Considering the 360-degree scenery, it's foolish to shoot and run. Many times a magnificent photo op exists behind you. Just turn around before moving on, and you'll often SEE more great photo ops. Note that this all comes from discipline which comes from experience which is acquired by, ahem, practice. Isn't it interesting how this all works?

I went to the Ventura Harbor last Sunday to 'see' the recent arrival of a double haul sailing canoe. Hokule'a is the Hawaiian canoe traveling the world by a map of the stars. Forty years ago, a group of Native Hawaiians and anthropologists built the Hokule'a to revive the ancient art of Polynesian wayfinding, which had been forgotten.

More about awareness and a case of doing as I say, not what I do. (grin) After the port visit, I walked over to the beach hoping for a stunning sunset. Whoa! Immediately saw large waves smashing on the jetty sending huge plumes of spray into the air. I walked to the eastern side of the jetty and watched the rhythm of the waves: four small waves, then a large one. I also observed larger splashes on the other side of the jetty. You know, the greener grass syndrome. I moved. I shouldn't have. I didn't notice the water rising higher on the north side. My attention was so fixated on the waves crashing on the jetty end that I was not, ahem, AWARE of where I was standing. Along came a sneaker wave, the cold water washing over my shoes soaking my feet! (expletives deleted)

I went back to the south side of the breakwater. Aha... now a fisherman on the jetty. Hallelujah! A subject to juxtapose! The sun was still approximately 30 minutes from sunset. From the right position, I visualized a smashing photo, so to speak. But I needed a smashing wave just as the sun kissed the horizon.

As the sun dropped, I continually moved to keep the angler positioned in front of the setting sun. At the speed the sun was dropping, I had only about 10-12 seconds to capture the visualized photo. At the moment the sun was about to caress the horizon, I anxiously waited. Come on waves: NOW! Finally, serendipity blessed me. As I pressed the shutter button, the feeling of accomplishment was immense. Awareness works!
The photo of the week is how I visualized it 20 minutes before making the photo. These experiences are what makes photography so exhilarating, so fulfilling and so addictive! SEE the photo in color online at fillmoregazette.com. Happy photoing.

Send comments, suggestions or questions to: focusonphotograpy@earthlink.net