Bob Crum

I was delighted to receive several complimentary email messages about the photo of my friend John a couple of columns ago. I appreciate such notes. Regarding my resistance to go digital, Les L. emailed me to say that the Argus C44 35mm film camera that his father bought in 1958 still takes beautiful pictures, so he is not going digital anytime soon.

Nostalgia rejuvenated I began to ruminate about the film days. Whoa, I must be dreaming! Miss the hours in the darkroom? No! Miss the chemical odors strong enough to bring a wild boar to tears? No! Of course, I say this now that I know how to program my digital cameras and use my photo editing programs. Harrumph!

Another reader, Henry S., sent an email asking about how much photographic gear I have. Compared to many, I don't have a lot. Some have enough gear to fill a mini-van. I only have five cameras, seven lenses, two flash heads, three tripods, SD cards, CF cards, eight extra batteries, adapters, nine lens filters, two remote switches, and, ahem, a cellphone. Photo gearhead? Guilty as charged. And I'll get more soon as I win the Power Ball lottery!

Photography reminds me of woodworking. While living in Florida, a fishing paradise, I had many fishing rods. I needed free-standing rod racks. With none available, I designed one. I initially made them in my garage. Tools used included a skill saw, a jigsaw, a router and a drill motor — each tool designed for a specific task. Likewise, cameras are designed to accomplish particular tasks. Full frame cameras do certain things better than crop sensor cameras and vice versa. Some dSLR cameras can perform specific tasks better than mirrorless cameras.

Conversely, some mirrorless cameras can outperform dSLR camera in certain situations. And film also offers a 'look' that digital can't match. The beauty of photography is the diversity of options! Budget constraints aside, options are good.

Speaking of beauty, another aspect of cameras often overlooked: Sensuality. Uh-huh. A real camera is a beautiful thing to behold. The sensuous curves are delightfully beguiling. One does not grab a camera, but instead, hefts it gingerly, holding it softly as if one was hugging a loved one. Never grasp a camera! Once in hand, the desire to lightly touch the dials and buttons is irresistible. Aah, ecstasy.

Still more fun: Programming the camera. Observing the scene, the image is instantly visualized in the mind's eye. It comes with practice. Accordingly, the tool (camera) is programmed to capture the desired photo. Programming considerations include aperture (depth-of-field), shutter speed (if the object is moving) ISO (affects exposure), and AWB or fixed (auto white balance or predetermined). It's about "making" a photo, not merely taking a snapshot!

This is like the fun of driving a sports car with a stick-shift (manual) transmission. I once drove a Porsche down Mulholland Highway with a mermaid in the passenger seat. On the downhill, I frequently downshifted, driving to the Pacific Coast Highway (PCH) using engine braking, never having to press the brake pedal. It's about executing control!

Operating a camera is like that: Fun! And executing control! I've also discovered that cameras exude a seductive nature making an intimate relationship with it an integral part of the passion for photography.

The photo of the week is the infamous Headless Horseman hoping to retrieve his head this Halloween from Trunk or Treat on Central Avenue. See you there-if you dare!

Send comments, suggestions or questions to: focusonphotography@earthlink.net