Bob Crum

Understandably, I received many emails asking: Why did you become ill? I don't know why, but I know how because I witnessed it in a dream. It began with the arrival of the Quadpulse Interplanetary SUV from the planet Hephaestus in the 5th galaxy of the constellation Triangulum Australe. Reverse thrusters roaring, the ship stopped abruptly and hovered over my bedroom. The metallic-looking Kenzyke wearing green-tinted diaphanous attire suddenly appeared at my bedside. With the precision of a Kia car-factory robot, it promptly injected a pathogen (pneumonia) into my arm and vanished. A small welt remains, umm, wait, it's a pimple. (Excerpts from the science-fiction book I'm writing: Kenzyke Irruption, Dreams Manifested.)

Print value redux. Recall that I recently exalted photographic prints citing digital-photography-school.com's blog. Paraphrasing, there is joy in taking photos and viewing them digitally. However, a photo that isn’t printed is like a script that is never performed or a musical composition that is never played. There's value in the digital photo, just as there is value in a script or musical composition but the real value is the print itself.

Paraphrasing photographer Huntington Witherill: “The electronic image could no more replace a fine photographic print than a synthesizer could replace a violin!”

Popular photography concludes: "A good, framed photo hanging on your wall is worth 50,000 shots sitting in the cloud doing nothing. They can remind you of your friends and family members, great times, and who you used to be in the good ol’ days, while digital photos just bit-rot away on a hard drive." That's very potent!

Paraphrasing photographer Christopher Burkett: “The fine print is much more than a mere reproduction of an image. It is the culmination of the inspiration and vision of the photographer. In its highest form, the fine print can be a transparent vehicle, boldly communicating with whispers and suggestions of worlds previously unseen and unknown. No other form of the image can convey as powerfully the subtleties, the presence and the luminosity which exists in the fine print.”

Not everyone agrees. I received emails from several phonetographers who insist that in this digital age making prints is a waste of money. Good point! I wouldn't waste money printing anything like a lot of the shoot-to-delete crap-shots I see on social media. When you make a print, you are making an art object. Has anyone tried hanging a jpeg digital file on their living room wall? Touché!

Last Sunday, friends camping at Faria Beach County Park invited me over for BBQ. The Fillmore sky looked promising for a glorious sunset, so of course I took my camera and Daryl Benson reverse graduated filters.

The reverse grads are darkest in the center, clear on the bottom and transition from dark to light above the horizon, ideal for sunsets and sunrises. Typically, these scenes feature a bright horizon, dark foreground and medium-bright sky above the horizon. Placing the darkest density on the horizon line will reduce the sun's brightness, lighten the foreground through the clear portion of the filter and add a subtle gradation of brightness to the sky — all in a single exposure.

With two 0.6 reverse ND grad filters in the Lee filter holder mounted on the lens, I was ready. However, with a two-thousand-foot thick cloud bank sitting on the horizon, the prospect of a spectacular sunset doomed. (sigh) However, spirits buoyed with the delightful sandpipers appearing as did Scarlet, a portly potbellied pig, the Queen of Faria Beach. Happy photoing!

Send comments, questions or suggestions to: focusonphotography@earthlink.net