Bob Crum

Long ago I bought my first camera while in the U.S. Air Force stationed in Okinawa. A 35mm film point and shoot gem. A delightful camera sufficient for my needs at that time. But not without quirks. The film counter seldom accurate. Exposure mostly a matter of luck. Were it not for bad luck, I would not have had any. Tempted often to toss it out of the RB-47 at 30,000 feet.

I brought that camera home and used it until the film advance lever jammed. At that time, Konica introduced their Autoreflex T which used an external light meter cell to set the lens diaphragm automatically for proper exposure. At least a better exposure than me skinny dippin'down at the creek. So I bought model T.

As cameras got better I bought into the Canon system... AE-1 and A1 cameras. State of the art film cameras all.

Which brings to mind that some still think “film” is the only true photography. Digital not authentic. Purists think photos printed from film have that “look” about them that isn't duplicated with digital processing. In a word: Pooey!

For decades I had a love/hate relationship with film photography. You load a roll of film and invoked a higher power for help. Select Tv or Av mode ('auto' if in doubt), mash the shutter button, and pray. No way to know the results until the film was processed and prints made. But I digress.

Besides gear limitations, creativity was greatly limited. I bought an enlarger and made a darkroom in the garage. Spent hours burning and dodging in the dark lit only with a red light attempting to create a photo. Many sheets of photo paper wasted in the process. Not even a little do I miss the ghastly odor of developer and fixer.

Back to the present and landscape photography specifically. Whether in Av (Aperture priority) mode or Tv (Shutter Priority) mode, float the ISO and proper exposure is less of a problem with today's cameras. What's left? The all important composition!

Too often, the biggest problem I see with up and coming photographers is that they don't stop long enough to ask: What is it I am shooting and why? What is the image subject and meaning? Too often too many think a great photo magically happens when the shutter release button is pressed. Au contraire. A digital camera merely records data... the photographer makes the photograph. Remember?

Which brings me to “style”. A photographic style can be applied somewhat by camera programming but style comes alive when imparted during photo processing. Yes, the dreaded post processing! But digital photography opens up a world of creative possibilities that couldn't even be dreamed of with film photography. Key word: Creative. Creativity is a photographers adrenaline!

One of the recurring questions I receive is whether the Photos of the Week are straight from the camera or processed. Straight from the camera? I always record photos in RAW (300ppi) mode. But a RAW image is only data. Like film or yore, it has to be processed.

Photo editing is a topic I have yet to address. Will do just as soon as I can present it in an interesting manner. Oy, the demands of a photography columnist are exasperating!

This week’s Photo of the Week: The handsome Great Pumpkin of Fillmore. Rumor is that the Headless Horseman lusts for this charming head. The clock ticks. Will the Great Pumpkin ride into midnight on a black horse?

Send your comments, questions or suggestions to bob@fillmoregazette.com